The early days of writing All the Time, Jessy Lanza's first album since 2016's Oh No, marked a sea change for Jessy and her creative partner Jeremy Greenspan. After Oh No, Jessy left her hometown of Hamilton to go and live in New York. Written long distance for the first time, across Jessy’s new set up in New York to Jeremy’s home studio in Hamilton, and finishing in the recording studio Jeremy had been working on during this period. Even though the move to New York and the change in remote working was tough, All the Time has turned out to be the most pure set of pop songs the duo has recorded; reflective and finessed over the time and distance they allowed it.
The album features sounds and innovative juxtapositions that came from live take experiments using semi modular/modular equipment like Mother 32 and Dfam and Moog Sirin. Jessy says ‘We got all of the machines talking to one another and would run patterns through. A lot of the little burps and quacks and squiggles heard on songs like Anyone Around, Like Fire, Face, and Badly are from those experiments. That’s when I’m having the most fun, making music and improvising through takes of the song and editing together all the best gurgle sounds afterwards’.
More than previous albums, the lyrics on ‘All The Time’ became an important focus for Jessy too, channelling the negativity of anger and frustration arising from some significant changes in her personal situation into the text. These lyrics sometimes process raw feelings, which aren't obvious to begin with, but are soon felt, standing in stark contrast to the cushioned settings of the music.
‘All The Time’ has ended as a triumph and an abstracted diary of a sometimes difficult, but enduring friendship and creative relationship, and it’s their best work yet.
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